Volume ELEVEN of a collection of square-format artwork, featured by colours that complement each other.
Artist's Comments
I present to you my new/revised fursona, Res, the Green Lynx.
Res is a kind and friendly Lynx. Enigmatic, hes always been somewhat of a loner, but he really does enjoy good companionship. He likes music, good food and adventures. Hes fond of the woods he lives in. In a nod to his ancient Zafara ancestry, hes not prone to violence, but would put up a good fight if provoked. This was a real challenge, as I was so used to drawing one basic character style that I had been doing since I started. Some of my early faces were hardly feline at all, and I had to keep breaking old style habits. I looked at a lot of references, and went back and forth between different hands/paws, feet/paws, and contemplated how would I do the legs.. The legs themselves were a challenge since I had never tried digigrade-style legs before. I considered different colors or markings. In the end, this is what I really felt like I would like to be, what my fursona that represents me should be. I like long tails, so while hes a Lynx, hes a rare long-tailed Lynx. (Well, rare GREEN long-tailed Lynx..) Ive always felt comfortable with the green/gold/brown color combination, and green is my favorite color. I owe a debt of gratitude to my friend =NINKOjIN for all the support, help and inspiration during this project. See the great cellshading on the left character? I wanted to do one ref soft shaded, and one cellshaded, but my attempts with the latter kept ending in failure. I asked Val for a little example on the drawing how she would shade it, and she spent a whole night on it She said to feel free to use any parts of it I could, but I couldnt improve on any of it, so thats all her cellshading. The clothes are especially nice Ive always had a problem making them look more than something that was just painted on. Its amazing how just a few highlighted wrinkles can give clothes such depth. The cellshading help was a good experience, being able to compare how I pictured the shading in my attempts, and how she finally did it on a character I drew. I learned a lot, and will come back to study it more next time I cellshade myself. |
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June 5
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Comments
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Psst... enter my contest? :]
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Bright-tailed and bushy-eyed!
One of the biggest changes that I like in your design are the feet/toes. They no longer look like green human feet (which used to kind of creep me out to be honest) and look a lot more like an animal's. Another reason that jumps out at me is because you made that change all on your own and I wasn't expecting it.
My suggestion for starting your feral form is to take your new head design and try to draw it in yet another angle/expression to help practice drawing the same character as close as you can to the original image, and then of course just fitting a feral body pose in however it would work best with the new head position.
Oh, the final detail on the insulator really makes it look like glass.
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My other signature is epic.
I'll try that for the feral design. I really have no idea how I'll approach that just yet - you think with 4 cats in the house, drawing a feline would be easy.
And I do feel a connection with him already - more so than I thought I would so soon after changing. When I sat back and looked at this final drawing, it was surprisingly easy to let go of what he was before.
I think it's his smile
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Bright-tailed and bushy-eyed!
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-"¿Qué es lo quieres de mi?"
-"Nada mi Dama"
-"¡Mentira!"
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Bright-tailed and bushy-eyed!
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I think it was actually the cheek fluff on the sketch my friend did that finally made the design start to click.
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Bright-tailed and bushy-eyed!
Oh really?
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